Bloody Crayons follows Eunice (Janella Salvador) and her friends, who have all traveled to a creepy old house on a remote island to help aspiring director Kiko (Elmo Magalona) shoot a short film. Tensions quickly rise among the friends as romantic entanglements get in the way of work. These tensions come to a head one night, when a seemingly innocent game ends with one of them suddenly dying. Things only get more dangerous from there, as the kids find themselves locked in the house, unsure of who to trust as the body count continues to rise.The film takes a good long while to get to the killing. The setup gets a bit awkward, as the movie doesn’t seem fully equipped to portray young people getting along and having fun. But it starts to get more fun as the story applies pressure on the characters. The film builds something compelling by testing the limits of these supposed friendships and then just breaking them. It largely gets around the problem of horror movie characters making bad choices by embracing their fragility. It takes these dumb kids ruled by hormones and emotion, and stresses them to the point of violence.The fun really starts when the characters start pointing fingers at each other. The film exposes the shallowness of these relationships, and amplifies every dumb emotion to dangerous ends. So, what might seem like playful tension between two characters later becomes something much more overt and physical. Petty, hormone-driven jealousy might grow into suspicion, later leading into a fight between characters who really ought to be helping each other. The film creates something potent as it takes what could be small issues and just sticks them in a pressure cooker of proximity and violence.The result is fairly fun, even if it doesn’t completely hold together. The story overreaches a bit when it gives one of its characters a tragic backstory. Given the effect that the film is trying to create, it might have been better to leave that character more of a mystery. And though the film does largely justify these characters acting illogically, there are still moments where it feels like they go too far off the rational scale. But the film does make up with this with solid genre mechanics. The movie really flexes its muscles in scenes where a character is hiding from someone else, finding clever ways to express the nearness of danger.There are odd technical hiccups here and there, but it isn’t really enough to distract from the overall craft. The film gets a lot out of its location, the production design amping up the natural eeriness of the house. The young cast is good enough. Janella Salvador ends up being saddled with the least compelling character, but she makes do. There’s a fragility to Elmo Magalona that serves his character well. Ronnie Alonte can make awkward line deliveries at times, but he just brings so much presence to the screen. Everyone really starts to shine when the pressure’s on, these actors doing a great job of conveying the fear and confusion surrounding their characters.Bloody Crayons, if nothing else, doesn’t feel like most locally produced horror movies. Its threats aren’t these abstract supernatural ideas that tend to pop up in the background of scenes, inexplicably idle as the film attempts to oversell the moment with a loud stinger. The film instead finds its danger in the fragility of young friendships, which can go from one extreme to the next in a split second. The cracks show every now and then, but there is a sense of youthful energy that helps keep things fresh and fun. And that’s enough, really.
BLOODY CRAYONS IS NOW SHOWING IN CINEMAS NATIONWIDE.